Life is a Mystery

5 March 2009 . Comment

ThruYOU without you

A big hit I’ve missed until now is Kutiman’s ThruYOU mix of YouTube videos. It is an amazing demonstration of what a huge supply of media can make possible, a whole set of songs mixed from nothing beyond YouTube videos.

Though he gives full credit to the videos he uses in his mixes, I don’t have any sense that he asked permission of the original creators. He has created something new, this is our culture of the network. Collaborators who don’t even know they are collaborating! Ask yourself, would a young singer in her living room keep her voice off YouTube after seeing the way Kutiman used this wonderful singer?

In fact, I would have never known Sarah Amstutz existed without ThruYOU. But Kutiman’s credits led me to her original version of this song and from there to some of the other great music Sarah is writing. Watch for her, I think she’ll be much more well known soon.

What a wonderful journey this standing on the shoulders of everyone makes. Here’s to hoping we never become so wise we outlaw creativity!

3 March 2009 . Comment

Southwest

Next week Southwest Airlines will start flying from the Twin Cities. That should stir things up a bit. And today 37 signals points out that part of how they succeed is by constraining themselves.

It offers flights only to select cities, no seating class distinctions, a simple pricing structure, a bare-bones frequent flier program, no meal service, etc.

Creativity from constraints. A theme of mine.

3 March 2009 . Comment

Step inside my world

A love story told in photoshop and CAD. Touching, if you give it a few minutes.

(By way of notcot.)

2 March 2009 . Comment

Refrigerator

Every once in a while Nathaniel or Alex will give me a piece of art. I love them all and wish I could find a place for everything on my walls. I’ve decided to add these to a Flickr set for these. If you are a Flickr friend, then take a look at the Refrigerator set.

Photo 123.jpg

9 February 2009 . Comment

Not real stuff would get creepy

I got to see Coraline with the kids this weekend. I really liked it, like the tone, liked the tunes, liked the message. A few things really impressed me.

coraline.jpg

The movie relaxed me. How often does an animated movie feel relaxing? Much less a scary movie, or a kids movie? Yes, it was scary, truly so. But it somehow did not wind me up in a nervous ball.

As I left the theater I noticed that the real world looked brighter and more inviting than the movie world. I usually leave theaters and feel the opposite: that somehow it would be wonderful to live in the movie world of bright colors and grand adventures. But somehow the production values of Coraline, which was a super-beautiful film, made the real world feel fresh and exciting.

I thought about this again as I read a review of the film today. Here’s how one seven year old put it…

That’s what the scary parts mean… they aren’t scary really, they just aren’t real. Stuff is boring a lot, but it’s real, and you wouldn’t trade even though you think you would. Like, when you’re at Disneyland you’re thinking, “I want to live here forever,” but you don’t realize that you don’t really, because pretty soon it would suck, because it isn’t real… and living all the time in not real stuff would get creepy. That’s what that scary part is about. Coraline is really cool though, because she’s brave and does what she knows is right. It was awesome.

Yes! Exactly! And that was accomplished not only through story, but also in the way the film presented itself. I’ve never felt anything like it. An attractive experience that left me wanting my own life, flaws and all.

What was scariest? For me it was the presentation of Coraline’s parents. They hit way to close to home. Do I ignore my kids the way they do? I’m afraid all too often the answer is yes. That scares me, maybe I can do something about it!

5 February 2009 . Comment

Fairey fair use? AP thinks not.

Holy cow! After all this time the AP is now considering a case against Shepard Fairey for copyright infringement in his use of an AP photo as the foundation of his iconic image of Barack Obama.

apfairey.jpg

Let’s take a look at this from the perspective of the four factors that help courts determine fair use:

Factor #1: Purpose and character of the use… Shepherd Fairey has made some commercial use of this image, this weighs against his case for fair use. Somewhat mitigating this finding, though, would be the degree to which Fairey allowed the image to “go viral”. He was not out to make a buck on this image, he was out to move public opinion. Most of all, the use of this work by Fairey is clearly “transformative”. He took a news photo and made it street art. It is no longer a photograph, no longer “objective”, and not even suitable in the contexts where the original AP photo would have been suitable. Imagine, for example, a newspaper article describing McCain and Obama’s performance at a debate using AP photos to illustrate. Could they substitute the Obama AP photo with the Fairey image? No way, it is much too celebratory, much to subjective, nothing like a news photo. In the end, I think this factor tilts strongly in favor of fair use.

Factor #2: The nature of the copyrighted work… The copyrighted work in this case, an AP photo, was clearly published. This weighs in favor of fair use. It is an artwork (a photo), but not a particularly notable one. It is hardly consumable, in other words the fact that one has a copy of the image as Fairey re-imagined it does not make it any less available as a photograph. All in all, I believe this factor would tend to support fair use in this case.

Factor #3: Amount and substantiality of the portion used… While the Fairey image uses the whole head of Obama, it does not use the flag at all. I see the flag in the AP photo as quite a striking aspect of the photo. Furthermore, the Fairey image does not use any of the original coloring of the photo. At best this somewhat weighs against fair use in my book.

Factor #4: Effect on the potential market for or value of the work… As I noted in factor #1, the Fairey image, while it clearly uses the AP image as its foundation, is nothing like the AP image in spirit. It cannot possibly effect the market for the AP image in a negative way because it is so different in emotional quality from the AP image. In fact, if it has done anything for the AP image’s marketability, it has probably increased it. This is the image on which the icon was founded, that has tremendous value to the AP. It is at least plausible that Fairey’s use of the image has improved its position in the market. Weighing against fair use was the fact that the AP does make a license available and that Fairey did make many copies available for non-educational purposes. Ironically, if Fairey had sought a license he might have been bound to manage the release of his version of the image in a way that would completely undermine his goal of getting a viral “street” image off the ground. This is the hardest factor to weigh, for me, but I think in the end it is at best a wash, maybe a slight tilt toward fair use.

Bottom line: I don’t think the AP has a case that will fly here. In fact, if they pursue it much further, they will more likely set precedent that this kind of use of their images is allowable. In the end, only the courts can really decide this, but I imagine the AP would rather live with the ambiguity than clear case law against them.

Why raise this in the first place? At first blush it seems terribly ham-handed to me and I can’t imagine the AP will get much positive press for the effort. On the other hand, “there is no such thing as bad press.” Everyone will know that the Fairey image is based on an AP photo (did you know that before today?). Everyone will know where to find that original photo. Artists will be cautious (a bit chilled) about using other AP photos without purchasing possibly unnecessary licenses. As long as they don’t actually pursue the case much further, it looks like a winning strategy for the AP.

“We believe fair use protects Shepard’s right to do what he did here,” says Fairey’s attorney, Anthony Falzone, executive director of the Fair Use Project at Stanford University and a lecturer at the Stanford Law School. “It wouldn’t be appropriate to comment beyond that at this time because we are in discussions about this with the AP.”

Good for Fairey, this is exactly the sort of use we need to defend in our culture. If the AP pursues the case, may the whirlwind descend on them!

2 February 2009 . Comment

Forgotten road

A poem I ran across today…

I saw an old, forgotten man
On an old, forgotten road.
Staggering and numb under the glare of the
Spotlight. His eyes, so dull and grey,
Slide from right to left, to right,
Looking for his life, misplaced in a
Shallow, muddy gutter long ago.
I am found, instead.
Seeking a hiding place, the night seals us together.
A transient spark lights his face, and in my honor,
He pulls out forgotten dignity from under his flaking coat,
And walks a straight line along the crooked world.

Written in high school by our 44th president.

2 February 2009 . Comment

A little spark

This video arrested me today.

With the horrors of the news from Gaza and Israel, I desperately want this video to be a message of peace and hope. It certainly surfs the change meme and Obama’s image (it was even released on 1/20/09). But I can’t understand all of the lyric and what I find about the artists Y-Love and DeScribe does not lead me to expect the message is quite so sunny. (DeScribe writes, for example: “War happens when both sides can’t resolve their issues by talking peacefully – I stand with my brothers in arms.”)

Still, this is a wonderful mix of jewish and black culture. That is enough to celebrate. It also makes a point about technology that I appreciate, “new world… advanced technology… can you feel the engergy… its real dark we just need a little spark.”

Oddly, this came to my attention via a Mac site excited by the presence of MacBooks in the video. Kind of misses the forest for the trees, huh?

18 January 2009 . Comment

This Land is Your Land

My favorite moment in today’s We Are One inaugural celebration event was when Pete Seeger came on stage to sing Woodie Guthrie’s anthem: This Land is Your Land. It is always interesting to see what verses people sing of this song, which has so many varients. I thought Pete would sing some of the tougher verses, and he didn’t disappoint. Oh what a country we’d have if this was our national anthem!

peteseeger.png

Today he sang (MP3 version):

As I went walking that ribbon of highway
I saw above me that endless skyway
I saw below me that golden valley
This land was made for you and me.

This land is your land, this land is my land
From California to the New York Island
From the Redwood Forest to the Gulf Stream waters
This land was made for you and me.

I roamed and I rambled and I followed my footsteps
To the sparkling sands of her diamond deserts
While all around me a voice was sounding
This land was made for you and me.

This land is your land, this land is my land
From California to the New York Island
From the Redwood Forest to the Gulf Stream waters
This land was made for you and me.

In the squares of the city, by the shadow of a steeple;
By the relief office, I saw my people.
As they stood hungry, I stood whistlin’,
This land made for you and me.

There was a big high wall there that tried to stop me;
A great big sign there said “private property;”
But on the other side it didn’t say nothing;
That side was made for you and me.

This land is your land, this land is my land
From California to the New York Island
From the Redwood Forest to the Gulf Stream waters
This land was made for you and me.

Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can make me turn back
This land was made for you and me.

This land is your land, this land is my land
From California to the New York Island
From the Redwood Forest to the Gulf Stream waters
This land was made for you and me.

peetand.png

Pete was joined onstage by his grandson Tao, Bruce Springsteen, and a wonderful choir. It was a magical moment. All I could think was that here was an 89 year old man who stood on these same steps of the Lincoln Memorial with Dr. King in 1963, now gazing out at the children and grandchildren of those marchers as he helps to celebrate electing one of them president of the United States. Who would have predicted that?

Maybe this land is our land after all.

16 January 2009 . Comment

Coraline

OK, maybe I’ll have to read Neil Gaiman’s book Coraline. The website for the movie is definitely worth checking out!

coraline2.jpg

Eric Celeste / Saint Paul, Minnesota / 651.323.2009 / efc@clst.org